Dangerous to those who profit from the way things are

research * the future * culture

How do you know if a robot is female?

Recently, Feminist Frequency recommended vN to its Twitter feed, which caused one follower to ask: “Interesting, how do you know when a self replicating robot is female?”

I had to think about this for a second. Or, more accurately, I had to re-enter the headspace I inhabited when I wrote early drafts of vN. The female characters who had inspired me to write Amy, like Motoko Kusanagi and Rei Ayanami, were unquestionably female. Not because they were chromosomally female (both are, although each has altered DNA). Not because they menstruated (neither did). Not because they reproduced (neither did, although there are multiple copies of Rei floating around, and you could make an argument for Kusanagi and the Puppet Master). Not because they had female sex organs (we’re not really sure they do). But they do look like conventionally-attractive women, and they have traditionally feminine names. And, more importantly, everyone around them treats them like women, and they accept that treatment.

You’re a woman when the world treats you like a woman. You’re a woman when you accept and continue that narrative about yourself.

I mention this because it was the same thought process I went through regarding the perception of sentience, sapience, and “humanity” for the vN. You would be a person when other people treated you like one. You would be considered self-aware when others’ theory-of-mind allowed you to be. It was entirely discursive, because the only other alternative was proving a negative. This is why I mentioned The Velveteen Rabbit in interviews, and referenced it in iD. Because it’s another’s love and respect and regard that makes you “real.” It’s another’s treatment of you that shapes you as a subject. You’re not a human being until the culture allows you to be one.

Maybe I just took this little Heritage Minute too much to heart:

It’s hard to imagine a time when women were not considered, legally, to be “people.” But just as there was once a “Oh, look, it thinks it’s people!” attitude to women (and other minorities), it’s not hard to imagine a similar time for humanoids — where no matter how good they were, how incapable of harm, how well they performed humanity, they’d still be regarded and treated as other, as uncanny, as unreal.

You know. Until the uprising.

For your consideration: iD, out 25 June

So, in case you hadn’t heard, my second novel iD: The Second Machine Dynasty is available for pre-order, and will be out 25 June.

Yes.

Next month.

The launch party is July 6.

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This summer: appearances

I’m pretty busy this summer. So busy, in fact, that I bought new luggage. The piece of luggage I usually travel with has only two wheels and only one functional zipper. It’s gone with me a bunch of places, but during the 12-hour Greyhound trip between San Francisco and Los Angeles after my wallet was stolen last year, I decided that if I ever made it out of this jam I would invest in something more user-friendly.

Speaking of San Francisco, I’ll be there again next week, for The Coming Age of Networked Matter, a conference put on by The Institute for the Future. I wrote a story for their anthology related to the conference, and I’ll be on a panel with the other authors to discuss it. The other authors include Cory Doctorow, Warren Ellis, Bruce Sterling, Ramez Naam, and Rudy Rucker, so I’m feeling the simultaneous desire to squee with pride and to hide under the covers because I’m so intimidated. (Actually, I’m really excited about meeting Rudy. He’s published a bunch of my stories at FLURB, and now I get to thank him in person.)

After that, I’ll be off to New Orleans for The Bram Stoker Awards® Weekend 2013 incorporating World Horror Convention. Yes, that’s a Registered mark you saw, next to the Bram Stoker Awards. I’m typing it exactly as it appears on the website. Personally, I think they should have taken things even further, and tried to register a trademark on the Bram Stoker Awards Weekend experience itself, from having issues with your nametag to shoveling homefries down your gullet in an effort to stave off your skull-crushing hangover. (Except that’s the experience of every convention ever, so they’d have to distinguish it somehow.) My Stoker weekend experience will distinguish itself by watching Dave launch The ‘Geisters, a novel about an angry young woman dissatisfied with her “safe” marriage, who may just be in love with someone else. Also, there are poltergeists.

In between, there is a launch party for iD on July 6. Given the themes of the novel, sandwiching the party between Independence Day and Bastille Day is completely appropriate.

At the end of June is the Locus Awards weekend in Seattle. I’m debating a trip there, since Seattle is where my parents and many of my friends live, and it’s also the city I destroyed in vN which is a finalist for the Locus Award in the First Novel category. It would be nice to be standing with them when the award inevitably goes to someone else. On the other hand, a ticket out there costs just slightly less than a month’s rent.

Either way, we’re headed off to Lone Star Con 3, AKA WorldCon 71, where with any luck I’ll be able to read to you from iD, and sign copies should you choose to pick up any. I haven’t been to Texas in a while, and never to San Antonio, so that should be fun. My plan for beating the heat is to unfurl a tarp, sprinkle it with baby powder, and roll across it like a jelly doughnut dusting itself in icing sugar. So if you say hello and I’m covered in streaks of white powder, you’ll know why. It’s not my rampaging coke problem. I’d have written more books by now, if I had one of those.

When I return to Toronto, I’ll be attending the Kingston Writers Fest, where I’ll be on a panel with Margaret Atwood and Corey Redekop. I’ll be doing some homework to prepare for that one.

All in all, it’s pretty daunting. Vainly, I wish I looked better for all these cool appearances. It’s a bit sad to have photos of yourself taken with really talented, amazing people and to not enjoy any of them. Then again, I’ve felt that way since childhood, so it’s nothing new. What is new is having a legitimate career doing what I do. I mean, the majority of these conventions are occasions I was actually invited to, which is a little weird. Like, someone actually thought I would be a worthwhile addition to the mix. It’s a little strange to think of someone thinking about me in that way. That’s half of what’s so intimidating; I worry I won’t live up to the version of me that other people have in their heads. Not that I begrudge it, at all. I’m really lucky to be in this position, and I know there are plenty of other people out there who would sell their teeth to get here. I just worry about being worthy of it.

An open letter to kids who just watched Iron Man 3

Hi there. If you want to understand what this post is about, you should probably watch Iron Man 3. Go ahead. It’s a really fun movie. You’ll like it.

It’s okay. I can wait. I don’t want to spoil you.

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Rape, and a glimpse into the future

He thought I was a baby-raper,” he said. “I explained that we were just friends.”

Rape?”

When you fuck someone without their wanting it,” Ignacio said. “Sex is like a game. It takes two people – or more, I guess, if you want – to play, and both players have to agree to the rules ahead of time. Anything else is cheating.”

That’s a little snippet from iD, in case you were curious. Javier is having a flashback to his life in a Nicaraguan prison. I wrote those flashbacks to grant a better sense of the experiences that made Javier who he is, and to explain a bit (but not too much, as this book was already the cause of much drinking) about the role of vN in enclosed societies like prisons. Enclosed societies are a theme in the book, so it seemed relevant.

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Boys, manga, and guns: an afternoon at the library

I mentioned in my previous post, I spent part of the week before last doing appearances at two Toronto public libraries. My first afternoon out, I spoke with a couple of classes of fifth graders about being a writer, and more importantly, being a reader. I talked about all the books that had ever gotten me into trouble. These included To Kill A Mockingbird (which caused me to have a conversation about rape with a fellow second-grader, and I suspect it got her in trouble at home, ensuring her everlasting hatred of me), and The Shining (which another girl in my fifth-grade class told on me for reading, though I’ve never understood why — perhaps the cover scared her). I neglected to mention my mother teaching a five-year-old version of me about sex from The Joy of Sex (the 70′s edition, with all the beards and bushes in it, which likely explains some things about my tastes), or the time she ripped a copy of The Stand (again, the edition from the 70′s) from my hands when I was eight. Apparently Randall Flagg was somehow scarier than Pa Ewell. I don’t know. I also conveniently forgot that time my ninth grade history teacher hid a copy of Sebastien Japrisot’s A Trap for Cinderella down the front of his jeans, and the chase around the classroom that ensued.

That’s a true story, by the way. That really happened. We both loved Japrisot’s work. A lot. Later, that same teacher introduced me to Haruki Murakami’s books.

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Inevitable Birthday Post: 30

This morning after Dave left the house, my mom and dad called to wish me a happy birthday. While I was talking with Dad, he mentioned bragging about me to a colleague at ISC West, the annual security conference he visits in Vegas. Vegas has featured prominently in my dad’s professional history; it’s a big reason why part of iD takes place there. (In other news: part of iD takes place in Las Vegas, at a casino called The Akiba.) “And you’re saying she’s done all this before she turned 30?” Dad’s colleague said (says Dad).

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Celebrate Maundy Thursday* with GITS

Jeez. Give away the whole plot, why don’t you?

…Moving on. Thursday night at 7:30, I’ll be introducing Ghost in the Shell at the Projection Booth, as part of the Monsters and Martians Film Fest. The festival is sponsored by AE Sci Fi, and other hosts include Rob Sawyer and my own David Nickle (who will be discussing The Manchurian Candidate). You can find the Projection Booth at 1035 Gerrard Street East. The Projection Booth is pursuing legal action against Jonathan Hblika, who is trying to call it “Big Picture Cinema.” The sign will say “Projection Booth.” Most of the press for the event says “Big Picture Cinema.” Resolve that how you will.

I’ve re-watched GITS in preparation for the event, and I’ve also dug up a chapter of my first Master’s thesis and re-read some articles of anime scholarship related to the film. A lot of work is published on GITS; it really sparked a fire among academics with film theory training who were tired of talking about final girls and male gazes. (Though to be honest, both of those elements are pretty prominent in the film.) This weekend was spent flipping open books I hadn’t cracked in years, and it was really fun. Once upon a time, I thought I was going to have a career doing this, and while I’m happy with how my life has turned out, I do occasionally yearn for an excuse to buy new clothes and stationery every September. Academia was how I found value for a long time, and in a lot of ways it still defines me. Last week I did a reading and improptu critique for students of the Digital Futures Initiative at OCADU, and it felt really good to be in an academic environment again. I have a tendency to lecture — I’ve had men say, “You’re lecturing,” whenever I happened to be discussing something I knew more about — and it was nice to scratch that itch. You won’t have to worry about that on Thursday, though. I have a presentation prepared, so I can’t ramble on. There are pictures and everything. I’m only supposed to go for twenty minutes, and I’ve timed out my frames to match that schedule.

In any case, GITS is a film that’s close to my heart for a lot of reasons. I first watched it in high school, in between copious makeout sessions with my then-boyfriend. (He later tried to claim responsibility for my being an anime nerd, as though he could take full custody of our joint hobbies.) I re-watched it fairly regularly after that, but I really fell hardest for Ghost in the Shell: Stand Alone Complex, the tv anime series. I mean, how could I not?

There’s a lot of both in my books. I can safely say that having completed the second one. In fact, you can trace pretty similar plots through both; both vN and GITS feature a woman finding her identity through a merger with another, greater being, and both iD and Innocence feature a man yearning for connection and realizing his old way of doing things doesn’t work, any more. (Innocence is pretty special to me, too — I first saw it at the Seattle International Film Festival after waiting in a rush line with my best friend. It took my breath away, and I was so happy to have seen it on a big screen.) I hadn’t realized how deep the influence ran until I prepared this presentation, which is why I’m excited to watch the first film big, in person, with popcorn.

*Did you know that the Thursday before Easter is also called “Thursday of Mysteries”? I didn’t. I wish more days could be days of mysteries.

 

iD has a cover!

And it has Javier on it!

This cover was created by the talented Martin Bland, who also created the cover for vN. This time, we chose to focus on Javier, since he’s the protagonist of this book. I really love how warm and soft he seems in contrast to the machine elements on this cover, and how warm the colours are compared to the cooler tones on the cover for vN. Seen together, I’m sure they complement each other (just like Amy and Javier). I especially like how his eye seems to glimmer at you. It’s just sharply drawn, and it draws you in.

The imagery also hints at the contents of the book: Javier gets broken down and taken apart, piece by piece — literally, figuratively, emotionally. It’s a shattering of the self. (And yeah, that’s part of why the book has the title it does. The title itself is a play on a bunch of different ideas.) So I’m excited to see that represented here.

Look, an interview with me in the Globe and Mail!

Here is a look to the mobile edition, which may not work.

“Science fiction has the capability to illustrate alternative and alien subjectivities and for a lot of people – including myself – that’s by nature a feminist project.”

Ms. Ashby’s debut novel, entitled vN, came out last summer. While ostensibly sci-fi, it reads in part like a slice of real life.

“It’s about a self-replicating humanoid with a female chassis named Amy, who eats her grandmother alive at kindergarten graduation,” explains Ms. Ashby, a 30-year-old graduate of Seattle University.

“Thereafter, Amy’s on the run and she deals with a lot of things that human women have to deal with all the time: being underestimated, being groped and having to pretend like you enjoy it, and being treated like merchandise.”

(There’s also a video, here, wherein some slightly different questions are asked.)

This is a really proud moment, for me. I’ve never been profiled in a national print publication, and it was wonderful to have the opportunity to talk about why I choose to write what I choose to write, and how my experience of my gender informs those choices. (One answer that was cut from the interview is that I felt anxious about writing realistic female characters because for a long time, I struggled with feeling like a “real” woman.) This whole thing came out of the blue; I came home one afternoon to an email from Dierdre Kelly asking for my input. The feature is part of a series on women in science, which I strongly suggest you read.

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  • Madeline Ashby…

    ...is a science fiction writer, strategic foresight consultant, anime fan, and immigrant. Her debut novel, vN, is available now. (Here are some reviews.) Her non-fiction has appeared at BoingBoing, io9, WorldChanging, Creators Project, and Tor.com.
  • Books

    Madeline Ashby's books on Goodreads
    vN vN (The Machine Dynasty, #1)
    reviews: 18
    ratings: 27 (avg rating 3.56)

    Shine: An Anthology of Optimistic SF Shine: An Anthology of Optimistic SF
    reviews: 18
    ratings: 44 (avg rating 3.45)

    Tesseracts Eleven: Amazing Canadian Speculative Fiction Tesseracts Eleven: Amazing Canadian Speculative Fiction
    reviews: 6
    ratings: 14 (avg rating 3.50)

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  • Madeline 's bookshelf: read

    Designing for Interaction: Creating Innovative Applications and Devices (2nd Edition)Super Natural Cooking: Five Delicious Ways: To Incorporate Whole & Natural Ingredients into Your CookingGluten-Free Girl and the ChefPeople Crossing Borders: An Analysis of U.S. Border Protection PoliciesHalf the Day Is NightThe Magicians

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