A while ago, I tweeted something based on this piece in VICE UK, called “Things You Only Know When You’ve Worked in Retail.” I don’t really care for the clickbaity title, but the content of the piece isn’t wrong. Here’s what I said: People ask me how I do gritty, lived-in SF and futures work […]
I just wrapped up my first real book tour, in support of the Hieroglyph anthology. I was lucky enough to attend events in NYC, DC, and Ottawa. So, it was a tiny tour for me, but it was pretty packed.
Last year, I was nominated for a Campbell Award, for my debut novel vN. Then I declined the nomination, because I realized I wasn’t truly eligible for the award that year. Why? Because I’d already made a sale to Nature magazine. SFWA treats Nature as a Campbell-qualifying market, which means my “Campbell clock” (which I imagine […]
I have a real love for Christmas specials. Or, to be more accurate, Christmas episodes. If you gave me the choice between an unknown Christmas movie and a Christmas episode of The West Wing, I’d choose the latter every single time. I watch “A Very Supernatural Christmas” every year around this time. I like what […]
Recently, Angry Robot announced something I’ve known about for quite a while now: I’m writing a book called Company Town, set apart from the Machine Dynasty series. It’s about an escorts’ escort named Hwa, who takes a job bodyguarding the young heir to a family-run corporate energy empire, just as that empire colonizes Hwa’s hometown: […]
Today sees the release of Cautions, Dreams, and Curiosities, another anthology from the Tomorrow Project at Intel Labs. I was asked to write a story pertaining to the White House Grand Challenges, and I focused on food security. I watched a lot of TED talks (Netflix helpfully organizes the subject headings, and there have been […]
No, not the punctuation mark. Yes, the other thing. Periods tend not to show up in fiction, probably for the same reasons that urine and shit don’t show up in fiction. They’re quotidian elements that don’t really add anything to narrative unless they’re indicating sickness or a dramatic turn — pregnancy, miscarriage, sudden reproductive potential, […]