Yeah, I said it.
The other day, after watching Crimson Peak for the first time, I woke up with a fully-fleshed idea for a Gothic horror story about experience design. And while the story would take place in the past, it would really be about the future. Why? Because the future itself is Gothic.
Due to a quirk of deadlines and contracts, I have four new pieces of fiction out this month. Here they are: “A Stopped Clock” in The Atlantic Council’s War Stories from the Future. This is about smart cities and the future of urban warfare, as narrated by a middle-aged street vendor in Korea with an […]
A note: I wrote these remarks after having watched the reception to my interview in The Atlantic about the need for women in futurism. A relevant snippet: Ashby says that any time she speaks in front of a crowd, and offers a grim view of the future, someone (almost always a man) invariably asks why […]
A while ago, I tweeted something based on this piece in VICE UK, called “Things You Only Know When You’ve Worked in Retail.” I don’t really care for the clickbaity title, but the content of the piece isn’t wrong. Here’s what I said: People ask me how I do gritty, lived-in SF and futures work […]
This review of Disney’s Tomorrowland (and others like it that I have read) got me thinking about something I was asked at the Design In Action summit last week in Edinburgh. I was there participating in the “Once Upon a Future” event, where I read a story called “The Dreams in the Bitch House.” It’s […]
I don’t drive. I hate driving. In high school, my driving instructor waited until I was trying to make a left turn in an intersection to start screaming “You’re trying to kill us!” Then I pulled over to the side of the road and said: “You will never speak to me that way ever again,” […]
While writing this column for the Ottawa Citizen on proposed changes to Canada’s immigration policy, an idea occurred to me that had taken years to crystallize. It emerged, strange but sharp, like a thorn buried under the skin that slowly eases free of the body’s confines. Immigration is an information design problem.
I first wondered this while watching the second series of The Fall, a challenging and unapolegetically feminist take on the now-standard serial killer drama. In it, a handsome and fit man by the name of Paul Spector routinely stalks and murders women — in between making appointments as a certified bereavement counselor, going on date […]